Within Anima latina, tracks like Anima latina and Due mondi exemplify this search for new sounds. The song structures are often built on rhythmic and melodic patterns that repeat and evolve, creating an immersive atmosphere. The way Battisti approached music, prioritizing emotional expression over vocal technical perfection, is evident in each performance. The album, despite not explicitly seeking massive success, became a key piece within his discography, showcasing his constant desire to innovate and experiment with musical language.
The collaboration with Mogol, although not always present in lyric writing, had been fundamental in building Battisti's public image. However, at this stage of his career, the artist began to show an inclination towards greater hermeticism, gradually distancing himself from media exposure. Anima latina stands as a testament to this evolution, an album where the music speaks for itself, inviting the listener to immerse themselves in its textures and atmospheres without the need for extensive explanations. Songs like Anonimo and Separazione naturale close the album, leaving a sense of introspection and reflection.