1 album|s · 2025
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In 2025, Anónimo deepened that idea. This time, Aguirre locked herself in her home studio and worked with more precision, though never losing sight of the chance that always accompanies her. The album traveled with her across Europe and Latin America, and though she wasn’t chasing records, it ended up being one of the most mentioned in annual lists by outlets like Rolling Stone, Indie Hoy, and Lúcuma. It wasn’t a stroke of luck: the album had been gestating for months in home rehearsals, in half-finished recordings that later became complete songs.
Meanwhile, her live presence gained weight. In 2024, she released Las luces que estaban ocultas, a raw recording of performances in Buenos Aires where the acoustic and electronic merged under the stage lights. By 2025, Una casa sin esquinas closed the cycle of Anónimo, showing how her music isn’t confined to the studio: it transforms on stage, where mistakes and improvisation sometimes become the most memorable moments.
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