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🇺🇸 United States · 2007–present

Elevation Worship

Elevation Worship is not just a music group: it is a collective that was born so that worship would transcend the walls of the church. Their songs do not sound like hymns recorded in a studio, but like voices that rise in the midst of a community, where each chord seeks to reflect the same heart that gathers them. From their earliest independent releases, the sound was built with guitars that dialogue with broad choruses, keyboards that flow like waves, and lyrics that do not speak of faith as theory, but as a living encounter. There is something in their way of recording —sometimes live, sometimes in spaces that the church rents— that makes each note sound like a shared testimony, not like a polished production. It is no coincidence that their best-known songs, such as Give Me Faith, began to resonate on Christian music charts before becoming hymns in churches across the country.

The leap that took them beyond the local scene came with For the Honor, their first album on a major label. They recorded it in Charlotte at a time when the band was no longer a small project: the church where they were born, Elevation Church, had grown to gather thousands of people every week. That album, released in November 2011, not only entered the Billboard 200, but also topped the charts for Christian music and independent albums. It was not a planned success, but the result of a sound that was already resonating in weekly gatherings. The same happened with Nothing Is Wasted, two years later: the songs included there —some in studio versions, others live— reflected a confidence that even what seems small has weight. The album reached number 1 in Christian music sales and remained among the top 50 best-selling albums in the country.

217K Listeners/mo

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More about Elevation Worship

Biography

But where their music truly became global was when they decided to record in the midst of what they call “revivals.” Here as in Heaven, for example, was born from a night at the Time Warner Cable Arena, where thousands sang together in front of an unpretentious stage. They released it in 2016 under their own label, Elevation Worship Records, and it became their first number 1 album in U.S. sales. After that came There Is a Cloud, recorded during a “Code Orange Revival” at their Ballantyne headquarters, an event that was already massive before the music came out of there. That album led them to explore other languages: in 2017 they released Lo Harás Otra Vez, their first Spanish-language album, which reached second place in Latin sales in the country. They were not seeking expansion by trend, but because the vision that drives them —that worship reaches where people do not yet know Christ— had no borders. In 2018, Hallelujah Here Below earned them a Grammy nomination in the contemporary Christian music category, but for them what mattered was not the award, but that the album continued to be a reflection of those nights in Charlotte where music and faith blended without scripts.

Details

Nacimiento
1 ene 2007
País
🇺🇸 United States
Género
contemporary christian

Record labels

Essential · Elevation Worship Records