Among the tracks that stand out the most is Wave / Come Fa Un 'Onda, a song that plays with the idea of waves rising and falling, both in the lyrics and structure. The live version of Quando Eu Estiver Cantando / Endless Love —recorded somewhere unnamed— captures that magic of mistakes that end up being right: the background voice that strays, the piano that rushes ahead, all wrapped in an intimate atmosphere that doesn’t repeat in studio versions. Also notable is A Cruz E A Espada, where the acoustic guitar blends with percussion that seems to come from another continent, as if the album were telling stories of two worlds at once.
The album wasn’t aiming to sound like something already heard. That’s why in Strani Amori or Scrivimi, there are moments where the synthesizer sounds like the 80s but the bass drags it forward, as if time didn’t matter. There were later reissues, but the essence remains intact: an album that doesn’t exhaust itself in a single listen, but invites you to get lost in its layers. If what you’re looking for is something with personality —something that sounds like a band playing in a basement with loose cables— this is a good place to start.